Wednesday, April 25, 2018

Atypical (Season One)


Continuing the high school drama kick I'm apparently on, I checked out Atypical on Netflix, which is about an high school student named Sam -- who is on the autism spectrum -- and his family. I have very positive things to say about the show, but before I do, I feel like I need to discuss something.

After watching the show, I decided to check out some reviews online, one of which was rather scathing (and judging by the comments, the author was not alone). That review came from someone who identified themself as being on the spectrum (a very useful perspective for a show like this, to be sure) and was disappointed by the characterization of Sam. In particular they felt that Sam was portrayed as an exaggerated and stereotypical caricature who misses social cues far more often than is realistic and whose "utter lack of tact is jarring". From this perspective, I could understand why Atypical's portrayal of Sam could be seen as damaging, as people on the autism spectrum are under-represented in television and characters who are written like someone on the spectrum may not be identified as such (thinking specifically of Sheldon Cooper from The Big Bang Theory). While watching the show, I did not process Sam as being representative of people on the autism spectrum in general and just thought of Sam as representative of Sam, a person with a condition that affects different people in unique ways. That's the direction from which I am reviewing Atypical, but I wanted to acknowledge the other viewpoint above because I feel it is important.

*****

Atypical is nominally the story of Sam Gardner (Keir Gilchrist), but it quickly becomes clear that the show is just as much about his younger sister Casey (Brigette Lundy-Paine), his mother Elsa (Jennifer Jason Leigh*), and his father Doug (Michael Rapaport). Despite spending a considerable amount of time with Sam's parents, it's a high school show, and one that runs afoul of my biggest pet peeve about high school shows: inappropriately aged actors. At the time of release, Gilchrist, Lundy-Paine, and Jenna Boyd (who plays Paige, one of Sam's potential love interests), were all 24 years old. This does a disservice to the realism** of the genre.

*I know Jennifer Jason Leigh from two things -- this show and Fast Times at Ridgemont High. I am therefore only aware of her existence at two ages, 20 and 55. I feel like I am trying to see Stacy Hamilton in her face every time I watch her on this show and it's super difficult.

**In one accidentally hilarious scene, one of the over-aged high school kids tries to order a drink at a bar, only to be told, "You're clearly not 21".

That complaint aside, nearly every arc and character on this show are great, and Atypcial builds them all into fully realized characters who behave in believable ways (with one exception, which I'll get to). The principal storyline of the season is Sam's attempting to enter the dating world, which is difficult enough for anyone but is even tougher for him given his condition. He tries to work through his issues with his therapist, Julia (whom the show smartly fleshes out beyond just her interactions with Sam), and many of the dating ideas he tries out are built from their sessions together. Gilchrist's performance in the role is excellent and Sam winds up coming off likable despite some of the things he does, because you can tell he's well meaning and just trying to figure out the "rules" of something unfamiliar to him.

As fun as it is to watch Sam, his sister Casey is the show's strongest character and has the most to deal with. She's a track star who's navigating her relationship with her first boyfriend, Evan (Graham Rogers), trying to do what's best for her future track career, dealing with extreme peer pressure from her friends and coach, dealing with pretty substantial issues with each of her parents (we're not talking about typical teenage bullshit here, either), struggling with the ways that Sam's condition has altered her upbringing and family life, all while serving as Sam's de facto guardian through the harsh social waters of high school (when she's not semi-lovingly pushing him around and making fun of him herself). Casey can be very cold and biting, and usually she has a pretty good motivation for it. I think the show strikes the perfect balance between Casey's righteous rage and moments of unnecessary teenage jerkiness, making her someone who's easy to like, yet grounded in reality.

Elsa and Doug are also given quite a bit to do as the parents of these two. For years, Elsa has taken upon herself to responsibly (yet aggressively) manage Sam's autism. She attends support meetings with other parents and has a deep understanding of Sam's condition and what he goes through. She's essentially the primary caregiver, but feels stuck given that it can often be an unrewarding job (and the litany of shit thrown her way by Casey makes it all the more difficult). Her loyalty to her family and role begins being significantly tested before the curtain closes on the first episode. Doug is coming from a different place, as he's been historically uninvolved with Sam, but with Sam's newfound interest in dating, he sees a second chance to connect with his son.

The non-Gardners on the show are generally quality characters as well. Sam's friend and co-worker Zahid is something of a womanizing bonehead, but he's good for comic relief and the way he's invested in Sam's problems is legitimately endearing. Casey's boyfriend Evan has his moments as well and seems pretty relatable, especially given the situations he gets put into by Casey and the rest of the Gardners. The one character on the show that doesn't really work is Paige, who is interested in Sam but we know so little about her that it's not really clear why. Sam isn't particularly nice to her and she's openly condescending about Sam's most prominent interest (Antarctica). It would work better if Paige's affection for Sam was a little more well-developed, because as far as we can tell, she either 1) thinks he's really hot, or 2) just wants someone to label as her boyfriend. Neither of those would provide the required weight for her apparent emotional investment. Then again, I guess teenagers are goofy.

Little problems aside, Atypical has a stellar plot that seamlessly weaves in twists that pack some major highs and emotional gut-punches. This is in stark contrast to a show like, say, This Is Us, which drops random, occasionally nonsensical bombs out of nowhere just to try to give you all the feels. In Atpyical, every place the story goes seems logical and works well within the universe that the show has created for itself. With just eight half-hour episodes, the show doesn't try to do too much and spends just the right amount of time playing out each arc. It's an addictive watch that sucks you into its world and compels you to root for its characters (a happy Casey is just as satisfying as a happy Kate from Everything Sucks!). It does all of this while offering a unique perspective on our world that isn't commonly seen on television (Sam's voice-over narration is a great feature). I've seen some pretty great TV so far in 2018, and Atypical is likely to wind up near the top of the list.

Season One Grade: A


Monday, April 9, 2018

The Good Place (Seasons One and Two)


I may have wrapped up Cheers, but I wasn't ready to say good-bye to Ted Danson yet, so I decided I wanted to move on to either Fargo or The Good Place. When I discovered that there is no way to watch Fargo except on Hulu, the decision was made for me and I settled on Michael Schur's NBC comedy.

I'm going to try to go through this without spoilers, which will be difficult as there's no shortage of plot twists along the way, which vary greatly in both intrigue and predictability.

Particularly given that it's in the comedy genre, The Good Place gets extremely high marks for innovation, as the premise is unlike any I've seen before. In the premiere, Eleanor Shellstrop (Kristen Bell) steps into the office of someone named Michael (Danson). Eleanor learns from Michael that she has died and that the afterlife consists of a "Good Place" and a "Bad Place", and that she has wound up in the "Good Place". The system of how the afterlife works is revealed to not be in accordance with any particular religion (according to Michael, each religion only gets it about 5% right or less, but some stoned guy in Canada figured it out with 92% accuracy). Essentially, every action done by a person earns them either positive or negative points, and only the people with the very highest positive scores at the end of their life make it into the Good Place. Some of the best gags on the show include Michael bringing up screens of significant point-earning actions, such as:

  • ATE VEGAN: +425.94
  • NEVER DISCUSSED VEGANISM UNPROMPTED: +9,875.37
  • FAIL TO DISCLOSE CAMEL ILLNESS WHEN SELLING CAMEL: -22.22
  • ROOT FOR NEW YORK YANKEES: -99.15 (Schur is a huge Red Sox fan)

The central problem? Later in the pilot episode, Eleanor realizes that they took the wrong person and that she's in the Good Place by mistake. Realizing that she's a less-than-worthy person in a utopian world, she decides to take lessons from her assigned soulmate Chidi (William Jackson Harper), who was an ethics professor in life. Her hope is that she can pass as enough of a good person to survive in the Good Place without being found out as a fraud.

Eleanor and Chidi shortly meet a socialite named Tahani (Jameela Jamil) and a silent Buddhist monk named Jianyu (Manny Jacinto) and the story eventually becomes just as much about each of the other three major players as it is about Eleanor. All of them have unique challenges in adjusting to the new afterlife in the neighborhood that Michael has created for them. Furthermore, things begin to go awry within the fabric of the neighborhood when Eleanor engages in selfish behavior inconsistent with that expected of citizens of the Good Place.

The show effectively utilizes flashbacks to each of these four peoples' lives, and these add a lot of color to what each is all about. Citizens of the Good Place are served by some sort of computerized being called Janet (D'Arcy Carden), who repeatedly insists that she is neither a woman nor a robot. Despite not initially appearing to be a being with human emotion, Janet is developed into someone with almost as much personality as the rest of the gang, and her popping in and startling characters with her trademark, "Hi there" is a wonderful running gag.

The acting in the show is superb -- especially for a comedy. Danson is obviously great, as he might be the greatest sitcom actor of all time. The way Michael reacts with glee to unfamiliar human objects and conventions is delightful. Plus, there's a scene in which he tends bar! If seeing Ted Danson behind a bar doesn't give you all the feels, you've....never seen Cheers, I guess. Still, despite Danson's excellence, Kristen Bell's performance is the best; she slips perfectly into her Eleanor character and captures all the right emotions and quirks of a sorta crappy person trying her damnedest to care about other people and the underlying ethics of the things she does. I found myself saying aloud, "She's so good" many times during our viewing, usually in-between the excellent laughs that the show delivers.

This is pretty bare-bones, as it's really hard to talk at length about The Good Place without this getting spoileriffic. This is the rare comedy that makes you care just as much about the plot as getting a good laugh. I guess that makes sense, given that the stakes for the characters often involve eternal damnation. The ethical dilemmas presented on the show are consistently interesting to think about and really make you ponder both our life and the afterlife at a level deeper than you'd ever think from a network sitcom. It manages to carry that weight despite being consistently funny and charming. You can watch Season One on Netflix and Season Two on NBC's website. I don't know what you're waiting for.

Seasons One & Two Grade: A-