Monday, April 29, 2019

You're the Worst (Season Five & Series Review)


Season Four of You're the Worst was its weakest, and the fourth season is where many shows lose their footing and can't maintain the quality demonstrated by its earlier seasons. Sometimes, the show never recovers (The Office) and sometimes they come roaring right back in Season Five (The Sopranos). Fortunately, You're the Worst was able to stick the landing after it looked like it was losing its grip.

Much of the season centers around the buildup to Jimmy and Gretchen's wedding, including the first episode, which focuses on Jimmy and Gretchen meeting a wedding planner. They invent this whole backstory about how they met. The scenes of this story are played out by different actors in the first 10-15 minutes of the premiere, and I got sucked into it pretty good. The whole time I was also just wondering whether I was even watching the correct show, since Stephen Falk made the interesting choice for his main characters to not appear until about halfway through the episode.

Another standout episode was "Zero Eggplants", which was You're the Worst's sweet spot between comedy and drama. Jimmy and Gretchen actually meet another couple that they don't hate and really get along with. They get close, but the woman in the couple, Rachel, utters the quote:

“Here’s how it is with me. I don’t let just anyone in, but I don’t lose people. So once you’re in, you’re in for life.”
Predictably, that's too much for Gretchen, who immediately sabotages the friendship. Gretchen's commitment issues are well-documented (hell, they're a healthy part of the rationale for the show's theme song), but even the lack of surprise can't stop her actions from being gut-wrenching to watch.

That was quite the emotional contrast to one of the series' funniest scenes earlier in the episode. Jimmy embarks on a quest to fellate another man in an effort to make things up with Gretchen (incidentally, she was sort of joking about that, which makes the whole thing all the more crazy). Jimmy finds a man on an online dating app, but his efforts to be sexy fall woefully short, and he spends most of the encounter spitting obnoxious intellectual blather, which earns him some pretty swift rejection.

Another unforgettable episode was "Bachelor/Bachelorette Party Sunday Funday", in which the gang busts Sunday Funday out of retirement for an insane episode with a thrilling sequence that involves Vernon getting stabbed by a deranged Paul F. Tompkins, and then Tompkins getting shot by Jimmy in defense of Edgar. The whole thing was staged, which was great not only because Jimmy and Gretchen got goofed, but also because we finally got some payoff out of Edgar's comedy writing career, which had been a consistent weak point of the series over these last couple seasons.

The last thing to discuss is the finale and the ultimate closure of the arcs for all of these characters. I found the finale somewhat odd, even if the conclusion of Jimmy and Gretchen's storyline makes sense. The show foreshadowed the commitment issues of each, and sure enough, they bail on the wedding. However, they make a resolution while eating pancakes at a breakfast restaurant to choose each other every day. It makes sense, because each one has only been able to function in the relationship as long as they know they can have one foot out the door at any given time. Without the specter and formality of a marriage hanging over them, they're able to pursue their love in a way that makes sense for what we know about the way Jimmy and Gretchen operate.

The conclusions for the rest of the cast are hit-or-miss. Vernon and Becca (who, by the way, is the actual worst, if we're keeping score) seem to move past many of their issues, and Vernon starts to get back on his feet financially. Edgar gets his clean break from Jimmy (after telling Jimmy not to marry Gretchen, in one of the series' most shocking moments) and has come a long enough way to pursue his career successfully.

Other stories didn't work as well. I actually thought that Paul's storyline came to a natural, if weird conclusion in "The Pillars of Creation", in which he gets intimate with Vernon and Becca. The three seem almost like a family afterwards, but the show has other ideas down the stretch and pairs him back up with Lindsay, who re-marries him. That didn't make a lick of sense to me, as the pair couldn't be worse for one another and the last time they were together, Lindsay stabbed him with an actual knife, in what looked like a possible shark-jump for the series. This all comes after Lindsay's random two-episode stint as a lesbian, which she seemed to shrug off as quickly as the show did. I was disappointed in Lindsay's arc all season long after she practically carried the show in Season Four, and You're the Worst seemed to have no clue how her story should end.

Those blips aside, Season Five of You're the Worst had some of the series' best episodes and found its peak form for extended stretches. Falk & co. went out strong in their final season of a show that was bursting with humor, creativity, and feeling. They took a show about two cynical, selfish jerks and turned it into easily the most unconventional romantic comedy I've ever seen. It's not part of the inner circle of the best shows of all-time, but it's practically a lock to go down as one of the greatest hidden gems of the Golden Age of Television.

Episode Grades

  1. "The Intransigence of Love": A
  2. "The Pin in My Grenade": B
  3. "The One Thing We Don't Talk About": B-
  4. "What Money?": A-
  5. "A Very Good Boy": B
  6. "This Brief Fermata:": B+
  7. "Zero Eggplants": A
  8. "The Pillars of Creation": A-
  9. "Bachelor/Bachelorette Sunday Funday": A
  10. "Magical Thinking": C+
  11. "Four Goddamn More Days": B
  12. "We Were Having Such a Nice Day": A-
  13. "Pancakes": B+


Season Five Grade: A-

Series Grade: A-

Monday, April 22, 2019

Top Chef (Season 16)


I've never recapped Top Chef before because the quality is relatively consistent from season to season. But I've been making more of an effort to just log the shows I watch, so here's some observations from Season 16.

  • There was no powerhouse chef (like a Paul Qui or Kristen Kish) to speak of from this season that simply steamrolls everybody. That made the question of who was going to win it all a little more interesting to follow, but it's hard to actually know who was the "best" chef of the group
  • I wasn't particularly invested in any of the individual chefs this season except for Eric. I was hoping he would win, and maybe he'll get another chance to compete if they continue this practice of re-admitting chefs from past seasons to the competition.
  • Speaking of re-admitting past chefs, the one time that there was anything resembling a conflict among the contestants was when Brother Luck made it back into the competition. Overall, this crop was a likable group of people, but apparently they liked each other so much that the thought of having Brother compete alongside them was too much. From just the under-their-breath snippets and what we saw in the confessional, they were legitimately awful to Brother, who has to be one of the nicer contestants the show has ever seen. This reflected well on no one.
  • Another interesting issue was a team competition early in the season in which Eddie used up nearly all of his team's budget and felt so bad about it that I thought he was going to voluntarily eliminate himself at Judges Table. Ultimately, one of his teammates went home for a mistake that wasn't related to what they had to shave off of their shopping budget, but I definitely felt bad for him and wanted him to do well the rest of the way.
  • Nini must have been much more likable off camera, because the group seemed very loyal to her. The editing made her seem very abrasive.
  • Brandon came off as super arrogant in the first couple episodes and seemed impossible to work with, but he really did seem to make good decisions in the kitchen and seemed more helpful later on. He was frequently snapped up as a sous chef to help for challenges later in the season, which I never would have guessed after watching him early in the season (both that he'd be an eliminated chef and that someone would actually want to work with him)
  • That Kelsey and Sara were both friends before this competition had to make competing in the finale a wild experience. They both handled it well, and I have to imagine that both understand that the runner-up gets so much value in exposure that "losing" isn't really losing.
Season Grade: B-

Wednesday, April 3, 2019

The Marvelous Mrs. Maisel (Season Two)


After a very strong first season, I was pleased to see that The Marvelous Mrs. Maisel was able to turn things up a notch in its sophomore campaign. The show explores Midge's continuing progress toward stardom, including battles against Sophie Lennon, unhelpful gig bookers, her family, and per usual, misogyny. Unlike in Season One, there's fewer questions surrounding Midge's comedic ability and more focus on how difficult it can be for a woman in the late 50's to make it even if talent is taken as a given.

The best arc of the season involves the three episodes in which the Maisel family heads to a summer vacation spot of sorts in the Catskills with many other families. Susie, still trying to get gigs for Midge, humorously finds a way to get room and board at the site simply by walking around carrying a plunger (to which she develops emotional attachment), because everyone assumes that she's on the janitorial staff. One of said gigs puts Midge's comedy life and her family life on a collision course in possibly the most dramatic and hysterical way possible. "Midnight at the Concord" is probably the high point of the season, and the series' best episode other than the Season One finale, "Thank You and Good Night".

The series' other characters have excellent seasons as well. Susie gets noticed for her talents as a manager, and Abe's descent into madness over the course of the season is extremely amusing to watch, because Tony Shalhoub sells the eccentricity so well. Joel continues to grow as a sympathetic character, and a guy who could have simply been a knucklehead who was written out of the show after the first episode gets a chance to grow as a businessman and a person. He even has a few heroic turns during the season. The show's handling and development of Joel has consistently been a strong point of the series, and he's probably the best-drawn character other than Midge.

There's no shortage of cliffhangers at the end of Season Two as Abe contemplates a career change, Midge's comedy act could take a dramatic new turn (which may test her professional relationship with Susie), and Midge's romantic life is an absolute whirlwind. The little universe this show has crafted is extremely well put-together, and I'm very excited to return to it for Season Three.

Season Grade: A